The Films of Alan Rickman

I shall be building this page into a comprehensive review of all of Alan's Films.
For a review of Anthony and Cleopatra at the National see the Theatre Page
Also see a review of the unauthorised Biography

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Die Hard (1988)
The January Man (1989)
Robin Hood Prince of Thieves (1991)
Closet Land (1991)
Close My Eyes (1991)
Quigley Down Under (1991)
Truly Madly Deeply (1992)
Bob Roberts (1992)
Mesmer (1994)
Lumière and Company (1995)
An Awfully Big Adventure (1995)
Die Hard: With a Vengeance (1995)
Sense and Sensibility (1995)
Michael Collins (1996)
Rasputin (1996)
The Winter Guest (1997)
The Judas Kiss (1998)
Dogma (1999)
Dark Harbor (1999)
Galaxy Quest (2000)
Blow Dry (2000)

 

 

Die Hard


Also the Die Hard Trilogy now available

Die Hard (1988)

The first and the best of the Die Hard movies, which spawned a host of imitators.  The basic plot is very simple - a group of highly organised and ruthless terrorists take over a high rise building, holding the office workers hostage, and one ordinary man defeats them all.  What lifts the film way above others of its genre is a genuinely witty script, and many excellent performances.  Bruce Willis is perfectly cast as the ordinary guy who, in dirty vest, and barefoot, braves dizzying heights, explosions, and a sea of broken glass to defeat the odds and win back his estranged wife.  Alan Rickman is his first screen role is convincing as the dryly sarcastic utterly remorseless German terrorist leader, with a nice line in sharp suits, who has all the details of the operation on his Filofax.    A fine supporting cast down the tiniest cameo, with special mention for Bonnie Bedelia as McClane's long-suffering wife, Reginald VelJohnson, as the cop who gives moral support, and Hart Bochner who plays a slimeball with relish.

The January Man

The January Man (1989)

A  film that really divides people - some love it and some hate it. This bizarre thriller is about a fired cop, (Kevin Kline) brother of the police commissioner, who is reinstated to track down a brutal serial killer.  He succeeds, of course, and also falls for the mayor's daughter.  A terrific cast - Alan Rickman as Ed, the cop's artist friend, Harvey Keitel as the commissioner, Rod Steiger as the mayor, and Susan Sarandon and Mary Elizabeth Mastrantonio as the romantic interest.  So what went wrong?   This is a personal view, of course, but firstly the plot is utterly unbelievable - I saw the film in the cinema, and there were howls of derision all around me when Kline finally works out how to track down the killer.  Keitel and Steiger fight a bad script and lose.  I was also saddled with a lead character who I am supposed to find appealing, but don't. (Kline's performance is great, though.)   His habit of inviting girls home and serving them a disgusting meal is meant to be amusing - well, not to me.  Alan is excellent, of course, but not enough is made of the character, and the one scene which, on paper, could have led to a nice little romance for Ed, was a wasted opportunity.    (Isn't it a rule that the hero's sidekick gets a girl as well?).   Obviously, you have got the message by now - I really didn't like this film, but then I know a lot of people who rate it very highly.
 

 

Robin Hood Prince of Thieves

 

Robin Hood Prince of Thieves (1991)
This attempt to recreate the swashbucklers of the past in a slightly more modern style stars Kevin Costner, who despite his failure to wear tights or speak with an English accent, is a pleasantly earnest Robin.  Alan Rickman is the real star of the show as a splendidly over-the-top Sheriff of Nottingham.  It has sometimes been said that he seemed to be in a different film from the others - this may be true, but one can't help feeling that if he was, it was a better film.  Dashingly dastardly in black;   cruel, petulant and utterly mad, Alan rampages through the film stealing every scene he appears in and scattering deliciously quotable lines with careless abandon. 
Mary Elizabeth Mastrantonio is a feisty Maid Marian, who displays dazzling fighting skills in her first scene and doesn't use them again, and Morgan Freeman lends gravitas.   A worthy supporting cast and some very fine set pieces. 

 

Bob Roberts

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Bob Roberts (1992)
When one person writes directs and stars in a film one can be sure of a very focussed product.  Tim Robbins fills all those roles admirably, and presents a sometimes scary vision of what lies behind American right-wing politics.  Filmed in documentary style, it shows the public image while hinting at unpalatable truth.   Roberts campaigns with eerily satirical folksongs, and media manipulation is the name of the game.  Alan Rickman is a menacing presence as the campaign's creepy financier.  A highly original film.

Die Hard With a Vengeance

 
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Die Hard With a Vengeance (1995)
Alan has an uncredited appearance in this film as a flashback to his role in the original Die Hard.  This roller-coaster action film has Jeremy Irons as Hans Gruber's brother, out for revenge against McClane (and a large cache of gold as well).  Even more shooting and explosions than the first two.  Forget the plot and sit back and enjoy the thrills.  Samuel L Jackson co-stars as McClane's unintentionally acquired partner.

Sense and Sensibility
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Sense and Sensibility (1995)
This delicious film won a Golden Globe and Oscar for its intelligent and funny script.  A delight to the eye, with classic English countryside and costume, it also delivers some superb performances.  Emma Thompson, who wrote the screenplay, is perfect as the sensible heroine, concealing her emotions while solacing her more sensitive sister, delightfully played by Kate Winslet.  Greg Wise is a dashing love-interest whom you just know is going to turn out to be a bounder, and Alan has a real change of pace as the steady Colonel Brandon, loving patiently from afar.  Hugh Grant turns in one of his many appealing performances as a shy suitor.  Ang Lee directs with taste and sensitivity.  A host of minor characters are played by some of the best performers in the English drama. A film with truly enduring charm. 

Rasputin

Now available

Rasputin (1996)
This made-for-TV film should really have had a much wider release.  Alan Rickman heads a quality cast, and while he won a well-deserved Emmy and Golden Globe for his performance, there are also notable performances from Sir Ian McKellan as Tsar Nicholas, Greta Scacchi as Alexandra and John Wood as Prime Minister Stolypin.   Unusually, the film is narrated by the young haemophiliac Tsarevitch, which gives it an ethereal haunting quality.  Rasputin, equally at home in the Palace or the gutter, is a coarse, drunken, unrepentant womaniser with a compelling charm.  His ability to soothe the dangerously ill Alexis, creates a dangerous dependency, which horrifies all those close to the Royal family.  Although the story is well-known, and there are unlikely to be many surprises for the viewer, the skilful juxtaposition of beauty and horror keep one fascinated throughout.  Highly recommended.
 

Michael Collins
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Michael Collins (1996)
The biography of the Irish Rebel leader, charismatically played by Liam Neeson.   The film is beautifully photographed and creates a convincing portrait of the times, though there are many who will argue about the historical accuracy.  There are fine performances also from Alan Rickman and Stephen Rea.  I found Julia Roberts a disappointment, mainly because the chief purpose of her character as scripted, was to appear in a different fashion outfit in each scene, and be generally a hindrance. This is a violent film, but necessarily so. 
Judas Kiss

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The Judas Kiss (1999)
Not yet released in the UK.  Details can be found on the Internet Movie Database.

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Dogma (1999)

Dogma has all the hallmarks of a cult movie. First of all there is the original and off the wall plot in which two fallen angels discover a loophole which will get them back into heaven. Secondly, the pacy and literate script laced with religious satire. Finally there is the rapid fire dark humour which is extremely welcome nowadays when so many other films rely on mugging screaming and slapstick for instant and forgettable laughs. Good performances from a splendid ensemble cast headed by Linda Fiorentino as Bethany who suddenly finds she holds the fate of the world in her hands. Ben Affleck and Matt Damon are the two chillingly evil angels. Chris Rock is excellent as the overlooked 13th apostle. Alan is Metatron the (East End) voice of God whose marvellously witty performance effortlessly dominates the screen.

Dark Harbor

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Dark Harbor (1999)
Not yet released in the UK.  Details can be found on the Internet Movie Database.

Galaxy Quest

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Galaxy Quest (2000)

Galaxy Quest is a cult science fiction series, cancelled 17 years ago, taking the careers of its stars into freefall. Some endearingly innocent aliens have seen the broadcasts and believing the actors to be real-life heroes, engage them to defeat their arch enemies. Closely modelled on Star Trek, the film is an affectionate spoof, showing real knowledge of both the genre and the fans. The combination of a very funny script, excellent performances from the cast, and a fast moving roller coaster adventure, amount to a highly entertaining movie, well deserving its international success. We loved it.
  Blow Dry (2000)
A black comedy written by Simon Beaufoy (The Full Monty) about two competing hairdressing salons.   Also starring Rachel Griffith, Bill Nighy, Natasha Richardson. This underrated film has some fine performances, excellent dialogue and genuinely funny scenes.
Harry Potter and the Philosopher's Stone (2001)
We have all had the experience of seeing a drmatisation of a favourite book to find it bears no resemblance to the original. Well pointy hats off to J K Rowling who stuck to her guns to ensure that the film was a faithful rendition of her book. Fans will not be disappointed, and even those who have not read the book (are there any left?) will enjoy a fun film with a perfectly chosen cast.

 

 

 

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